Milena
ivanova.
University of Cambridge Professional and Continuing Education
Leverhulme Centre for Future of Intelligence
Newnham College
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In what ways are experiments similar to artworks?
In what ways are experiments similar to artworks? Can the experiment be appreciated aesthetically, and if so, how? Find out in my new book, The Aesthetics of Scientific Experiments co-edited with Alice Murphy.
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I recently organised the Future of Art Conference, sponsored by the British Society for Aesthetics and held at Newnham College, Cambridge. Find out more about the goals and findings here.
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Read my new piece Reflections on the Importance of Environmental AI Ethics for Earth Day
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Is AI art really art? Will it signify the end of art? Can it ever be good and valuable? In this new work I explore how our moral stance towards artistic exploitation, data bias and environmental cost can prevent us from wanting to engage and find value in AI generated art. By drawing on the moralism literature in philosophy of art, and the argument from the imaginative resistance, I argue that there are circumstances under which we could overcome our imaginative resistance and find value in pieces generated with AI.
Read here |
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I received the 2024 Routledge, Taylor & Francis Prize for my article “What Is a Beautiful Experiment?”. from the American Philosophical Association
I recently received a Visiting Professorship from Paris 1 Panthéon-Sorbonne in Paris where I will be delivering a series of lectures in 2026. |